Tuesday, April 9, 2013

Interdisciplinary Italy: Programme Workshop 3

Interdisciplinary Italy: Programme Workshop 3

INTERDISCIPLINARY POSTMODERNISM: RE-THINKING THE SIXTIES

Haldane Room, University College

London

Saturday, 11th May 2013, 9.30am-6.00pm


Interdisciplinary Italy' is a network which brings together musicians, academics, museum curators, artists and teachers interested in 20th and 21st century culture in Italy.
The network explores the relations between the arts in modern and contemporary Italy and how this influences the teaching of Italian in universities and schools.
This third workshop looks again at the core questions around facilitating, policing and transgressing the boundaries of art during Italian Postmodernism.
Members of the Victoria and Albert Museum, the Estorick Collection and the Birmingham Conservatoire will join to bring fresh perspectives to the discussion.


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9.30 Registration
9.45 Welcome
10.00-13.00 EXPERIMENTATION
Chair: Simona Storchi (Leicester)
Pierpaolo Antonello (Cambridge): Experiment/Experience
Raffaele Donnarumma (Pisa): Flussi: Neoavanguardia, tardo modernismo, postmoderno
Martina Caruso (Courtauld): Fotografia circa 1968
Catharine Rossi (Kingston): Experimentation Through/With/Against the Past: The Role of Craft in Italian Design
Respondent: Florian Mussgnug (UCL)
13.00-14.00 Lunch
14.00-16.30 PERFORMATIVITY
Chair: Giuliana Pieri (Royal Holloway)
Steve Halfyard (Birmingham Conservatoire): “Music/ theatre/virtuosity: Berio, Eco and Maderna at Milan’s Studio Di Fonologia”
Sonnet Stanfill (V&A): Italian Fashion on the International Stage
Robert Lumley (UCL): Sit in: art design and politics
Respondent: Michael Caesar (Birmingham)
16.30-17.30 ROUND TABLE
Chair: Clodagh Brook (Birmingham)
Comments by Roberta Cremoncini (Estorick Collection of Modern Italian Art)
17.30 LIVE PEFORMANCE
Luciano Berio: Sequenza III for woman’s voice (1965)
Performed by Steve Halfyard (Birmingham Conservatoire)

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